WhenRosaisexpectedtohandherbossthesuntanlotiononadeerhunt,thisfeelslikeasign.DonReynaldo’sranchisabouttocelebrateitsfarmanniversary,butthispassionatehunter’simageisbuiltonalie.Andso,hereinthecountryside,wheremenaremen,employeesaregratefulsubjectsandwomendiligentlyanddocilelyholditalltogether,cracksbegintoappearinthesociallifeofthismicrocosm.Orderedarounddayinanddayout,unnoticedbythoseinherclass-conscioussurroundings,themenialRosagraduallybecomesanagentofchange.WhileDonReynaldo’sextendedfamilycontortsitselfinabidtosavetheoldorder,menbegintoarriveatthefarminpickuptrucks.Theirappearanceatthefeastandathreatareenoughtomaketheageingpatriarchfearforhislifeandhisfamily–andforcehimtoact.Allthatpassesisobservedbytheanimalswho,eitherastrophiesonthewalloraslivestockouttopasture,seemtosensetheendofanoldhegemony. Withakeensenseofhowtodeployomensthatheraldchange,AlejandraMárquezAbellaportraysanepochalshiftinruralMexico–asseenbycharacterswhoareusuallyrelegatedtopassivesupportingroles.
格拉帕·格潘,拉查楠·玛哈菀,帕瓦·吉沙晚迪,瓦奇拉维·让维瓦,柴·尼姆塔瓦特,坦那瑟·苏瑞亚蓬柴固,彬雅帕·珍帕诵,素撒·猜唷罗,Chusri,Chern-Yim,普西特·迪塔皮西,Pimonwan,Hoonthongkam,查亚功·朱塔玛斯,Phuang,Keawprasert,萨塔布·莱德克,Jaturong,Mokjok